Dominique Year 2 animation blog part 2

In-text: (Kleon, 2014) Your Bibliography: Kleon, A. (2014). Show Your Work! . 1st ed. New York: Workman Publishing Co. 'By taking advantage of internet and social media, an artist can share what ever she wants... she can be as open about her process as she wants to.' p.30 'Share sketches, works in progress, post pictures of your studio, or blog about influences, inspiration and tools …. you can form a connection with her audience.' p.30 'Human beings are interested in other human beings and what they do.' p.36 'audiences want to be apart of the creative process.' p.38 'by letting go of your ego, we allow for the possibility of people having an energising connection with us and our work, which helps us move more of our product.' p.38 'Take a lot of photos of your work in different stages in your process.. shoot videos of you working.' p.43 'A da...

In-text: (Millman, 2012) Your Bibliography: Millman, D. (2012). Brand Bible . 1st ed. Beverly, Mass.: Rockport Publishers. 'The brands (playboy, Disney, Oprah) comprise empires that transcend mere media conglomerates; they used rich story telling and compelling narration to reach audiences... and they branch out into numerous media, giving consumers different ways to experience and participate in the brand narrative.' p.220 'Successful brands create loyal customers who come back again and again because they feel the brand is an extension of their personalities' p.291 'In each brands case, we're looking to engage the brands target customer.' p.296 'Process is focused on discovering that an brands point of view and defining that.' p.296

In-text: (Pilling, 2001) Your Bibliography: Pilling, J. (2001). Animation . 1st ed. Crans-Près-Céligny: RotoVision. '(John Cary said ) you need colleges who will take your idea and improve it...  work with others to a bible.. that define character relationships and talk about visual interpretations.' p.20  'You (should) hire a writer, designer, other artists, an animation director, an editor ect' p.20 '(John) Carry sees his role as an producer putting art and money together, as an integrated mindset.' p.20 'Tv tends to commission for particular time slots, which determine Finacle and time constraints.' p.30 'Every stage of production has different pains and pleasures.' p.30

In-text: (Winder, 2011) Your Bibliography: Winder, C. (2011). Producing Animation . 2nd ed. MA: Elsevier Inc. 'key items that affect an animated budget is: -the projects purchase price - the cost key creative talent attached to the property - the type of story being told - the choice of art direction, style, technique, complexity - the format - where the animation is being  produced -  and the delivery schedule.' p.14 'A low-budget traditional 2D show can start at $250,000 per an episode; a more high end animation prie-time show can reach over $1.5 million per an episode.' p.15 'completion bond' p.15 different types of animation producers; 'employee producers', 'entrepreneur producers', 'executive producer', 'producer', 'co-producer', 'line producer', 'creative producer', 'associate producer' ect. these are based o...

In-text: (Creeber, 2015) Your Bibliography: Creeber, G. (2015). The television genre book . 3rd ed. London: British Film institute. in early tv era, animation was dismissed as 'illustrated radio', 'animated programming had to adapt to much-reduced budgets and ultimately, drew more heavily  on heavily on comparatively minimalist contemporary idioms in graphic design and art.' p.177 'with its oft-repeated  and limited movement cycles, Hanna- Barbera created animation which was necessarily more  character- and performance-driven and relied on witty scripts and amusing vocal deliveries.' p.177 '(with the success of his shows) Joe Barbera was justified in his view that 'kids don't give darn if there is 4000 or 40,000 drawings, so long as the entertainment is there" (cited in Wells, 2007) ' p.177 'animation has flourished and is increasingly recognized as an extraordinary vers...

my working title; how can you produce an animated cartoon series? My type of report; industry report - background ( the history of animated series, how it became, English, American an d japan Cartoons.)  - research question; ho w can you produce an animated cartoon series in the modern era . I need to re write the question. I need to focus On smaller areas instead of having such a wide coverage of different cultures of animation. For this reasoning I will only be focusing on American and English cartoons.  - overall aims; to look at different routes into distributing an animated cartoon, through companies/self distributing, look at the process from pre-production, production, pitching/ getting  funding, creating an successful series, target audience.  Overall looking at the reality of myself being able to create and successfully produce an animated series after graduating. I need to slim line my areas of research so I’m just going to focus on productio...

Trigonis, J. (2016).  CROWD FUNDING . 2nd ed. Studio city ca: Michael wise productions. types of  film makers; indie film makers who spend up to 1 million dollars , guerilla-style/diy/ run-and-gun. p.7 'do- it- yourself revolution' p.10 'crowdfunding has been around since the 1990's, which serves as an alternative method of raising capital for creative projects' p.10 crowdfunding is raising funds from 'the crowds' using websites such as indiegogo and kickstarter. p.10 'film making and film funding.. neither can exist with out the other' p.12  'essentials include building a strong team, deciding how much funding you need for your film, gearing your campaign toward a target audience, and forming and maintaining a campaign strategy.' p.17 'crowd funding is a full time job' p.19 'people may not opt for crowdfunding and instead start saving their own money or pursue more traditional approaches like submittin...

my working title; how can you produce an animated cartoon series? My type of report; industry report -background ( the history of animated series, how it became, English, American and japan Cartoons.) - research question; how can you produce an animated cartoon series in the modern era. - overall aims; to look at different routes into distrubuting an animated cartoon, through companies/self distributing, look at the process from pre-production, production, pitching/ getting  funding, creating an successful series, target audience.  Overall looking at the reality of myself being able to create and successfully produce an animated series after graduating. Research methods; - books on how to do, history of cartoons ect, books on previous cartoons - online interviews by animation producers of current and finished cartoons - case studies into old cartoon series - talk to self publishing animators and ask to interview them - research into companies, potential all cours...

Citation bibliography;    Stabile, C. and Harrison, M. (2003).  Prime-time animation . 1st ed. London: Routledge. In text ;       (Stabile and Harrison, 2003)  'prime Time animation- television animation and American culture’ edited by Carol a. Stabile and mark Harrison 1st edition Routledge 2 park square, Milton park, Abingdon, oxon 0x144RN               History of animation/ television ‘Cartoons demonstrate their own textuality, speak directly to their audience and crucially, reveal the presence of their creators as the  deconstructive agents of deliberate artifice, and in doing so, promote animation as a singularly auteurist medium’ p. 16 ‘Animation always have the excuse that "it’s just ink and paint"’ p.16 ‘As British based animator director, John Halas, had anticipated in 1956, "animation is bound to be greatly stimulated by televisions in the future. In the las...